
Bolts of patterned fabric fill floor-to-ceiling shelves along one wall of a cluttered sewing room, their spines showing florals, stripes, and paisleys in every color. Embroidery hoops stretched with roses, ferns, and cross-stitch samplers hang above a rack loaded with thread spools sorted by shade. Two black Singer treadle machines sit at a wooden worktable, one threaded with floral cotton, the other feeding a length of lace trim. Dress forms nearby wear a rose-print sundress and a patterned tailored jacket, waiting to be pinned and hemmed. Glass jars of buttons and wooden spools crowd the tabletop beside a red pincushion bristling with pins. On the floor, a tower of folded quilts leans beside baskets heaped with yarn and lace scraps, and a measuring tape drapes over an open drawer. Morning light through a paned window falls across the bench, picking out enough to know where each project stands.
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